Art works by Graham Sutherland for Coventry Cathedral on display in a country house in Berkshire

ON THE FOURTEENTH of November 1940, Coventry’s cathedral was badly damaged by bombs dropped from aircraft of the German Luftwaffe. After WW2, a new, modernist cathedral was constructed next to the shell of the damaged one. Designed by Basil Spence, the new cathedral was built between 1956 and 1962. Visitors to this magnificent replacement cathedral can hardly miss seeing the enormous tapestry that hangs at the eastern end of the church. Depicting “Christ in Glory in the Tetramorph”, it was the creation of the artist Graham Sutherland (1903-1980). I have seen this work and admired it on several occasions, but little did I expect to find a connection with it when visiting a National Trust property not far from Reading – Basildon Park.

Set in lovely grounds surrounded by rolling hills that lead down to the rows of trees growing near the Thames, the house at Basildon Park was largely completed in the Palladian style by 1783. After a series of owners, including the military during the two World Wars, it was bought by Lord and Lady Iliffe (later known as ‘the 2nd Baron and Lady Iliffe’) in 1953. They restored the house, and filled it with artworks they collected. A great patron of the arts, Lord Iliffe was a friend of the artist Graham Sutherland. He and his wife were able to purchase many of the studies that Sutherland made when planning the great tapestry that hangs behind the high altar in Coventry Cathedral. Some of these were donated to the Herbert Museum in Coventry, and several of them are on display in a room on the ground floor of Basildon Park. The studies exhibited in Basildon Park demonstrate Sutherland’s great artistic talents. Each of them, although sketches of details to be included in the final tapestry, is itself a lovely work of art.

Sutherland’s studies are (for me) the highlights of the Iliffe’s artworks on show in their former home – they gave it to the National Trust in 1978. In addition to these fine works, a few others caught my attention. In one room on the first floor, there are four sketches of places in India by William Daniell (1769-1837). It is quite appropriate to find these in Basildon Park, which was originally built by Frances Sykes, who made his fortune in the British East India Company. Another, more recent, painting that interested me was a portrait of Lady Iliffe painted in the 1940s by Frank Salisbury (1874-1962). A society portrait painter, he interested me not because of his art, but because he owned a spectacular neo-Tudor mansion, Sarum Chase, on West Heath Road in London’s Hampstead. I came across him when I was doing research for my book about Hampstead.

For some reason, despite visiting many National Trust properties around it, today (the 19th of May 2024) was the first time we went to see Basildon Park. The house is worth seeing – its rooms are spacious and well-lit, and the artworks are, as I hope I have explained, of great interest. Also, it stands in beautiful grounds – an idyllic English countryside.

Exploring some unknowns in London’s fashionable Mayfair

I HAVE NO IDEA how many commercial art galleries there are in Central London. Today (the 14th of May 2024), we visited an art gallery, whose existence was previously unknown to us, and there we saw an exhibition of works by an artist, who was also new to us. The gallery is Carl Kostyal in Savile Row. Its discreet entrance is sandwiched between two fashionable tailors’ stores. Half Hungarian and half Swedish, Carl Kostyál opened his gallery in Savile Row in 2010. Three years later, he opened another gallery in Stockholm.

The artist, whose work is being exhibited, is Leo Park, who was born in Sweden in 1980. His exhibition in Savile Row is called “Beyond Pleasure”. It consists mostly of large paintings, but also a wall covered with a mosaic of small sketches, The beautifully executed artworks are eye-catching, and reminded me a little of the works of some of the pre-WW2 Surrealists. The paintings and sketches are of imagined forms that immediately made me think of human bodies. The images are clearly meant to evoke such thoughts, but looked at objectively, they are all shapes that do not exist in nature. The paintings and drawings are all displayed in the beautifully restored rooms of the 18th century building that houses the gallery.

The show ends on the 2nd of June 2024, and is well worth visiting.