Purple Haze on the Isle of Wight

THE STATUE LOOKED incongruous where it was standing, in a flower garden next to Dimbola House in Freshwater Bay on the Isle of Wight. Made in bronze and life-size, it depicts Jimi Hendrix (1942-1970) strumming an electric guitar. At its base, there is a title of a Hendrix song, “Purple Haze”, and below this some poetry (not the lyrics to the song) and the words “I.O.W. lavender”. Appropriately there was a lavender bush with purple flowers growing close to the statue. Nearby, a door leading into a second-hand bookshop housed within Dimbola is decorated with stickers bearing photographs of Hendrix. Not being knowledgeable about Hendrix, I was puzzled to discover this monument to him in a place that seems to be in a different universe to that of Rock Music.

Between the 26th and 31st of August 1970, the small island off the south coast of England hosted the Isle of Wight Festival at Afton Down. This music festival was attended by between 600000 and 700000 people, that is more than met at the famous Woodstock event (USA, 1969). On Sunday, the 30th of August, the performers included, to mention but a few, Kris Kristofferson, Jethro Tull, The Moody Blues, Joan Baez, Pentangle, Leonard Cohen, and … Jimi Hendrix. Jimi played late at night and into the early hours of the 31st.

Sadly, Hendrix died a few weeks later, on the 18th of September in Notting Hill Gate. His death occurred in the still existing self-catering apartment hotel, the Samarkand at number 22 Landsdowne Crescent. He had recently moved in there with his new partner, the German artist and figure-skater Monika Dannemann (1945-1996).

The statue of Hendrix at Dimbola was commissioned by the Isle of Wight Festival organiser, John Giddings, in 2006. Why it stands at Dimbola was a mystery to us. Someone in the museum in the house explained that Giddings had wanted the statue to be placed at the site of the 1970 festival, but was refused permission. As he knew the director of the organisation housed in Dimbola, Brian Hinton, he asked whether it could be placed there. Hinton agreed. Later, he is reported saying:

“Jimi is now immortal, a man for all seasons, and it is lovely to dress him up to celebrate cultural and sporting events in the vicinity of the Afton site, where he very much helped put the West Wight on the map, as did Mrs Cameron and Alfred Lord Tennyson a century earlier.” (https://onthewight.com/dimbolas-jimi-hendrix-statue-to-get-lycra-makeover-for-tour-of-britain/)

Mrs Cameron was Julia Margaret Cameron (1815-1879), a pioneer in 19th century photography, about whom I will write in the near future. And Tennyson needs no introduction. Although the statue does not flatter Jimi Hendrix, it is wonderful to see a place, which many people think as being a 1950s-time warp, is pleased to celebrate someone who burst open cultural barriers not so long ago.

Tragedy in Sweden

PARR HALL IN the heart of Warrington (Cheshire) is a concert hall designed by local architect William Owen (1846-1910). It was built for the townspeople by Joseph Charlton Parr, descendant of the founder of a local bank. The benefactor was a prominent member of his family’s bank, Parr’s, and Warrington’s Mayor between 1901 and 1903. A plaque on the wall of the hall facing Palmyra Square commemorates his generosity. A much larger and newer plaque, actually a frieze, also outside the front of the hall, serves a sadder purpose.

In May 2013, a new rock band was formed in Warrington. Called Viola Beach, it had four members: Kris Leonard, River Reeves, Tomas Lowe, and Jack Dakin. Frankie Coulson and Jonny Gibson were initially members, but they left the group to concentrate on their university studies. Reading of this, I was reminded of one of my father’s students at the London School of Economics: Mick Jagger. Unlike Coulson and Gibson, he could not afford to remain a student as his band was becoming so successful. Incidentally, The Rolling Stones performed at Parr Hall in November 1963.

In June 2016, the band’s debut album, “Viola Beach”, was released. Consisting of 9 tracks, it reached the number 1 position on The UK Albums Chart in August of that year. However, the band were never to learn of their success. In February 2016, the members of the group and their manager were on tour in Sweden. In the early hours of the 13th of February, the car in which they were travelling failed to stop at the closed barriers of a bridge across the Södertälje Canal. The roadway of the bridge was lifting to allow the passage of a vessel in the canal. The car carrying the band plunged into the water 98 feet below. The driver, the band members, and its manager, were all killed.  The memorial outside Parr Hall, which portrays the band members and their manager in bas-relief, was sculpted by Tom Murphy. It was unveiled in September 2021.

Had they not met their end so prematurely, I wonder whether Viola Beach formed in a town on the Mersey might have gained some of the success enjoyed by another now much more famous Merseyside band: The Beatles.