Tag Archives: pottery

Is there a Picasso on your plate?

Posted on by
Reply

IT IS ALWAYS WORTH ‘popping’ into Christie’s auction house in London’s Mayfair because there is usually a display of interesting objects being displayed prior to being auctioned. When we visited the place on 16 May 2025, there was a collection of ceramics created by Pablo Picasso (1881-1973). They included plates, jugs, and decorative objects.

Picasso began producing ceramic objects in 1947. The Madoura pottery studio in Vallauris, France produced blank ceramic items, which Picasso then decorated. A website dedicated to Picasso’s ceramics (https://picasso-ceramics.org/) gives much information about the artist’s involvement in this form of art, and I have quoted from it below. The website explained that Picasso began producing ceramics because:

“… the high prices and relative rarity of Picasso’s paintings meant that most people would never be able to own one, the artist liked the idea of working in a medium that would be more accessible to the average person. He realized that pottery could be produced on a scale that his paintings could not. With prices of around $100 in the 1950s and 1960s, Picasso’s ceramic series were far more financially accessible than his previous artworks. The utilitarian nature of his pottery also made the art form more appealing to the general public, who may not understand the appeal of an abstract painting, but who could appreciate the value of a beautiful plate or pitcher.”

As he had never worked with ceramics before this, he had to develop his techniques and learn how materials behaved when they were incorporated with ceramics. However, his experience with lithography assisted him, as the following explained:

“Since Picasso had no prior training in ceramics, professional potters at Madoura would create blank ceramic objects for him to work with. He would then reshape, paint, and engrave the pottery to create his original designs. Picasso had previous experience engraving lithographs, which informed the methods he used to engrave his pottery, as well as his choice to release the pottery in numbered editions. While this numbering practice was common for lithographs at the time, it was relatively unheard of for pottery.”

The designs on Picasso’s attractive ceramics were largely inspired by Spanish folk art. The auction house beautifully displayed the objects that will come up for sale on 22 May 2025. If you are interested in owning a piece, it is an online auction: https://onlineonly.christies.com/s/picasso-ceramics/lots/3722

ONCE A PALACE IN CONSTANTINOPLE, NOW A MUSEUM IN ISTANBUL

Posted on by
Reply

MUCH HAS CHANGED IN Istanbul since we last visited it in October 2008. Many places we saw then have either been restored or are closed for restoration. One place that was not open to visitors in 2008 is the Tekfur Sarayi, a palace built next to the ancient city walls of Istanbul. We came across it in April 2024 after having made an abortive visit to the nearby Kariye Mosque (once a Byzantine church), which was closed for restoration.

The Tekfur Sarayi, which used to be known as ‘Palace of the Porphyrogenitus’, is one of three Byzantine palaces still surviving in Istanbul. This edifice was constructed either in the late 13th century or early in the 14th. According to Wikipedia, the palace was:

“… named after Constantine Palaiologos, a son of the Emperor Michael VIII Palaiologos. “Porphyrogenitus”, meaning literally “born to the purple”, indicated a child born to a reigning emperor. The emperor would show off the newborn heir from the balcony and have them proclaimed “Caesar Orbi”, or “ruler of the world””.

The palace was badly damaged during the Ottoman conquest of Constantinople in 1453, and was later used to house part of the Sultans’ menagerie. By the end of the 17th century, the animals were moved, and the building housed a brothel. In 1719, the building was repurposed to house a factory for making decorative tiles, and this is how it remained before going out of business during the first half of the 19th century. Next, it became a poorhouse for some of the Jewish people in Istanbul. Following this, it became a bottle factory for a few years before being abandoned. What makes the building of special interest is that it is a rare surviving example of secular Byzantine architecture.

In 2010, the building was extensively restored and 5 years later a new roof and glazed windows were added. After that, new wooden floors and ceilings and staircases were added. In addition, a stylish lift was installed close to the palace. This allows visitors to reach the high second floor with ease. From a terrace on the second floor, there is a superb panoramic view of the city. In 2021, the place became a museum, whose exhibits include displays of the kind of tiling that used to be made in the palace and informative explorations of the stages in the traditional methods of manufacturing tiling. On the ground floor, there are a couple of archaeological remains of the kilns in which the tiles were fired. Apart from the exhibits, the elegantly contemporary design of the museum and what can be seen of the palace itself add much to the enjoyment of a visit to the Tekfur Sarayi.

The ground floor opens out into a courtyard where more archaeological finds can be viewed. A short staircase from the yard leads to a small garden from which one gets a good view of both the palace and the city walls stretching away from it. Although we were hoping to see the Kariye Mosque, but were unable to do so, visiting the Tekfur Sarayi more than adequately compensated us.

Lucie Rie, a potter in Cambridge

Posted on by
Reply

ONE OF MY UNCLES commissioned a ceramic work by the celebrated potter Lucie Rie (née Gomperz; 1902-1995). This used to be on display in my aunt and uncle’s house, which I used to visit often. Thus, I became familiar with the name Lucy Rie.

Lucie was born in Vienna (Austria), where she attended an avant-garde school of arts and crafts from 1922. After graduating, she set up her own studio in Vienna. Bring Jewish, she left Vienna in the late 1930s, and settled in London.

Encouraged by Bernard Leach, she established a studio in London. For a while she worked with the potter Hans Coper, but the artistic styles of the two artists differed considerably. Over the years, Lucie created objects in a variety of styles. She experimented with glazes and other techniques, creating pottery which was truly 20th century. Unlike Leach, whose works reference ancient Chinese and Japanese ceramics and mediaeval English, Lucie was innovative and inventive.

Until the 25th of June 2023, you can see a good exhibition of Lucie’s works, from her earliest to her later creations, at Kettles Yard in Cambridge. Undoubtedly, her works are of a high quality, both artistically and technically, but I was not particularly excited by the show. A video of David Attenborough interviewing Lucie in her studio interested me far more than her works on display.

By all means visit the exhibition, but in my opinion this is a show for Lucie Rie enthusiasts, rather than for the average exhibition goer.

A pottery and a prison

Posted on by
Reply

HAMPSTEAD IN NORTH London is full of interesting nooks and crannies.

At the west end of Well Walk in Hampstead, near the lower end of Flask Walk, there is a corner building with a Georgian shop front. It is now a small theatre but was once the Well Walk Pottery, which occupied this place for many years. The pottery was started by the potter Christopher Magarshack in 1959. According to Bohm and Norrie, writing in their “Hampstead: London Hill Town”, published in 1980, Elsie, the widow of the Russian Jewish translator and writer David Magarshack (1899-1977), lived there. She bought this corner building, which had formerly been Sidney Spall’s grocery shop in 1957, for Christopher to use as his pottery. His father, David, left his birthplace Riga, then in Russia in 1918 and later lived above the shop. Elsie died in 1999, aged 100. In addition to selling pottery there, the pottery also held classes for ceramicists, some of whom now have good reputations. David’s daughter Stella, a fine artist, was the Head Art Teacher at King Alfred’s, a ‘progressive’ school situated between Hampstead and Golders Green. In 2016, aged 87, she was brutally attacked in the street close to her home. Now, the premises is to be home to a theatrical enterprise, The Wells Theatre. Its present owners have decorated one of its windows has been  decorated with a pictorial history of the premises.

Before returning uphill along Flask Walk towards the pub, you will pass a pair of doors covered in metal studs arranged neatly in geometric patterns. According to an article in the January 2018 issue of “Heath and Hampstead Society Newsletter”, this pair of studded doors:

“…is supposed to have come from Newgate Prison,”

The prison closed in 1902.