Hampstead and the Tate Britain Gallery

THE TATE BRITAIN pleases me far more that its younger relative, The Tate Modern, and its cousins in Liverpool and St Ives. I do not know why, but I feel far more comfortable in the old institution on London’s Millbank. Today (31st of March 2022), I took a leisurely wander through some of the Tate Britain’s galleries. I was on the lookout for works by artists, who have been associated with Hampstead in north London. My only disappointment was that there were no works by John Constable (1776-1837) on display. Buried next to Hampstead’s parish church, he worked and lived (for several years) in Hampstead. I had better luck with one of his contemporaries, George Romney (1734-1802). His “A Lady in a brown Dress: The Parson’s Daughter” hangs in the Tate. “Roadside Inn” was painted in about 1790 by George Morland (1763-1804), who used to visit Hampstead to teach. The gallery also contains a picture, “Punch or May Day”, by the painter Benjamin Haydon (1786-1846), who is known to have visited Hampstead, where he met the essayist and critic Leigh Hunt and walked with the poet Wordsworth.

By Mark Gertler

It was the painter William Rothenstein (1872-1945), who found accommodation for, and looked after the great Indian literary genius Rabindranath Tagore, when he stayed in Hampstead briefly in 1912. The artist, who also lived in Hampstead for a while, is represented by at least two of his paintings in the Tate Britain: one was painted in 1891 and the other in 1899-1900.

It was during the first five decades of the 20th century that Hampstead became a mecca for artists, who are remembered today and whose works are displayed in Tate Britain. “The Merry-Go-Round”, a colourful painting created by Mark Gertler (1891-1939), who had a studio in Hampstead, depicts a fairground attraction on Hampstead Heath. It was painted in 1916. Gertler studied at the Slade School of Art at the same time as the painter Stanley Spencer (1891-1959), who had a studio in Hampstead’s Vale of Health for a while. It is therefore apt that Gertler’s painting hangs next to one by Spencer: “The Resurrection, Cookham”.

Another juxtaposition is a wooden sculpture by John Skeaping (1901-1980) and a painting by Ben Nicholson (1894-1982). Both worked in Hampstead in the 1930s and both were married to the sculptor Barbara Hepworth (1903-1975). She divorced Skeaping to marry Nicholson. One of her sculptures is on display close to another artwork by her second husband. I spotted one more work by Hepworth. That was a painting, a sketch for a sculpture she was planning in 1957. The three artists all worked at various times in the Mall Studios near Parkhill Road.

David Bomberg (1890-1957), who, like Gertler and Spencer, studied at the Slade, lived in West Hampstead between 1928 and 1934. There are several of his dazzling, colourful paintings hanging in the Tate Britain.

Henry Moore (1898-1986), who lived for a while in Hampstead, is the best represented of all the artists who lived or visited that locality. Tate Britain has many of his sculptures on display and some of the sketches he made during WW2. These images depict people sheltering in deep Underground stations to be safe from the bombs being dropped by the Luftwaffe. Moore lived for a while in the modernist and relatively bomb-resistant Lawn Road Flats (‘The Isokon’) near South End Green (and, incidentally, near the Mall Studios). I have read that it is likely that Moore made some of his dramatic wartime sketches in the nearby Belsize Park and Hampstead Underground stations.

It was fun visiting the Tate and seeing pictures by some of the artists, whom I have written about in my new book about Hampstead: “Beneath a Wide Sky: Hampstead and its Environs”. This work contains two chapters detailing Hampstead’s myriad artistic connections. If you wish to learn more about this and about other aspects of Hampstead and its surroundings, my book (and Kindle edition) can be obtained from Amazon (https://www.amazon.co.uk/dp/B09R2WRK92).

Rambling in Hampstead: Romney to Robeson

AN OLD FIRE STATION with a tall clock tower was built in 1871 and used until 1923. It stands on a corner at the southern end of narrow Holly Hill, opposite Hampstead Underground Station. Let us begin the steep climb up Holly Hill, noting on our right the house (number 16) where the painter Derek Hill (1916-2000) lived between 1947 and his death.  A painter of portraits and landscapes, he was greatly regarded in Ireland.  Close to his home, number 18 Holly Hill is named ‘Sundial House’ and has a heavily painted black sundial attached to its façade.  It was once part of the house owned by Hill.

former Mount Vernon Hospital

A little further up the hill on the same side as Sundial House, there is a large house with white painted weatherboarding, which was the residence of a painter far better-known than Hill, George Romney (1734-1802). Romney bought the property in 1796 and had it redesigned by Samuel Bunce (1765-1802) for use as a studio and gallery in 1797/8. Although Romney had spent a great deal of money to create his Hampstead abode, to which he moved from having lived in Cavendish Square for at least 20 years, he was not entirely happy being so far away from the buzz of central London life.  He sold the house in 1799. In 1807, the house was enlarged and became ‘The Hampstead Assembly Rooms’. Later, in1929/30, the house was remodelled and enlarged by the architect Sir Bertram Clough Williams-Ellis (1883-1978), who created the picturesque village of Portmeirion in western Wales. So, much has happened on this plot of land, which used to be the site of the stables of Cloth Hill, a house that existed in the 17th century.

To the north of Romney’s house is Fenton House, built about 1693, once owned by the Riga merchant PI Fenton, who bought it in 1793, and now owned by the National Trust. It houses a fine collection of old keyboard instruments. In the late 1960s when I first visited it, visitors were free to touch the instruments and make sounds or music with their keyboards. Now, this is forbidden unless you are a musician who has been given special permission to play them. Fenton House is next door to Bolton House and Volta House. These two and another, Windmill House, comprise a terrace constructed 1720-1730 (https://britishlistedbuildings.co.uk/101379202-volta-house-bolton-house-windmill-hill-house-and-enfield-house-hampstead-town-ward#.YAG3W-j7RPY). The poet Joanna Baillie (1762-1851) lived in Bolton House between 1791 and 1851. Her guests at the house included John Constable, Walter Scott, William Wordsworth, Lord Byron, and John Keats. The street on which these buildings and Fenton House stand, Windmill Hill, was named in 1709, probably because there had been a windmill nearby in the 17th century (https://www.british-history.ac.uk/vch/middx/vol9/pp15-33).

Across Holly Hill and high above Romney’s house, a steep footpath reaches Mount Vernon. Just where the small lane makes a right-angle turn, there is a plaque on a high brick wall commemorating the physiologist Sir Henry Dale (1875-1968), who lived nearby. Dale first identified acetylcholine in 1914 and proposed that it might be a neurotransmitter, a substance that allowed nerve cells to communicate with one another. In 1936, he and his collaborator Otto Loewi (1873-1961), whom he met at University College (London), were awarded a Nobel Prize for their work on the role of acetylcholine in neurotransmission.

The wall to which Dale’s plaque is attached is part of that which surrounds the  Mount Vernon House, which is barely visible behind the wall. The house, originally named ‘Windmill House’, was built in about 1728. It has been home to Dale; the surgeon William Pierce (c1706 -1771); General Charles Vernon (died 1810), Lieutenant of the Tower of London from 1763 until 1810, who leased it between 1781 and 1800; and the British landscape painter Edmund John Niemann (1813-1876). Dale and his wife occupied the house from 1919 to 1942.

Immediately north of Dale’s former home, there is a massive Victorian building replete with turrets topped with conical roofs. Now a block of flats, this used to be Mount Vernon Hospital for Tuberculosis and Diseases of the Lungs (https://ezitis.myzen.co.uk/mountvernonhampstead.html). It was built on land owned by General Vernon.  I often wonder what people living in former hospitals like this one and the old Royal Free, also in Hampstead, the former Royal Dental Hospital (now a hotel in Leicester Square), and the former St George’s Hospital (now the luxurious Lanesborough Hotel), think when they consider that parts of their residences might once have been filled with consumptive patients, or the sickly poor, terrified dental patients, and the dying.

Built in 1880 and opened a year later, this hospital was built in faux 17th century French renaissance style. In 1914, the building and its later extensions was sold to the Medical Research Committee and Advisory Council  to house a National Institute for Medical Research. By 1915, it was a hospital again. After WW1, the building reverted to being used for medical research until 1950. According to a watchman at one of the entrances to the former hospital, the place was converted into flats about 25 years ago.

Moving northwards, Holly Hill becomes Frognal Rise, which drops downwards to the east end of Frognal before rising again. Two gate posts marking the beginning of a lane, Oakhill Way, that leads west from the ascending part of Frognal Rise are the entrance to Combe Edge. Along the lane, there is a house with that name, whose gateway bears the date 1878. One of its walls has a plaque commemorating Elisabeth Rundle Charles (1828-1896), who lived there from 1874 to 1896. A writer, Charles is best known for her novel about Martin Luther, “The Chronicles of the Schönberg-Cotta Family”, published in 1862, which can be read online (www.gutenberg.org/ebooks/36433), if you have nothing better to do. But we must move on to our next port of call: Branch Hill House.

The house, formerly called ‘Spedan Tower’, is an ugly brick pile, which looks institutional.  However, its gothic revival gatehouse, built 1868 and designed by SS Teulon (1812-1873) and overlooking a large area of allotments, is attractive. The former care home (built in 1901) was once the home of John Spedan Lewis (1885-1963), founder of the retailing group John Lewis Partnership.  Beneath it in what was once its gardens, there is a modern council estate called Spedan Close. Completed in 1978, it:

“…was, at the time it was built, the most expensive council housing in the country; every property with its own individual roof garden.” (www.theundergroundmap.com/article.html?id=29094).

Returning to Frognal Lane, it becomes Branch Hill a few yards before it joins West Heath Road. Number 1 Branch Hill, a house named ‘The Chestnuts’, was home to the great singer Paul Robeson (1898-1976) from 1929 to 1930. This was after his appearance in “Show Boat” in London in 1928. It was in this show that his famous performance of the song “Ol’ Man River” was first heard. Paul and his wife bought the house in Hampstead, but soon after they divorced, he returned to the USA.

By now, you will have walked not much more than 600 yards, but passed plenty of places of historical interest, which I have mentioned, and others that wait for you to explore.