Using his fingers to create works of art

AMOAKO BOAFO WAS born in Accra (Ghana) in 1984, where he works and lives. After teaching himself to draw and paint in his childhood, he was engaged in various professions before he studied art at Ghanatta College of Art and Design in Accra. There, he was awarded a prize for being the best portrait painter in his year.  In 2013. Boafo moved to Vienna (Austria) where he was the co-founder of a centre for artists of colour and LGBTQ+ voices.

Because of the marginalisation of Black people he noticed in Austria, Boafo began to specialise in portraying Black people. As the gallery’s website noted, he is:

Inspired by the expressionistic portraiture of Vienna Secession artists Gustav Klimt and Egon Schiele, he counts among his contemporary influences Jordan Casteel, Maria Lassnig, Kerry James Marshall, and Kehinde Wiley.”

Looking at the faces in Boafo’s paintings on display at the Gagosian Gallery in London’s Mayfair until 24 May 2025, I could see the influences of Klimt and Schiele in them. Many of the paintings include depictions of patterned fabrics and wallpaper.  What makes his paintings fascinating is that instead of using brushes, Boafo paints the faces and bodies of his subjects with his fingertips. The effect produced is curiously mosaic-like.

Part of the exhibition in Gagosian is hung conventionally in a large room. In another part, in a separate room, Boafa’s paintings have been hung in a life-size reconstruction of the courtyard of his childhood home in Ghana. In addition to the paintings, there is a display of playing cards designed by the artist. In brief, I am pleased that we visited this exhibition of works by a refreshingly original artist.

Art and science

ART AND SCIENCE

 

From my childhood until I qualified as a dentist in 1982, aged 30, I drew and painted a great deal. Creating pictures was one of my favourite pastimes. In the late 1970s when I was already studying to become a dentist, I joined a weekly print-making class. It was held in the West Hampstead studio of my mother’s cousin, the etcher/engraver Dolf Rieser (1898-1983; see: https://dolfrieser.com/biography/ ). 

The image above is from an etching that I created in Dolf’s studio. It is a composition inspired by electron micography of intra-cellular structures. At the time I created it, I had just finished a PhD in a biological subject and was studying biology that was considered necessary to qualify as a dentist.  Interestingly, Dolf had also studied biology (genetics) in his youth, receiving a doctorate in the subject. He took to artistic pursuits after completing his studies in biology. Later in his life he wrote a book called “Art and Science” (published in 1972 by Studio Vista). Dolf was an inspiring teacher with a great understanding of compositional technique.

In 1982, I began practising as a dentist. It goes without saying that a dentist’s work involves a great deal of use of the hands and fingers. All day long, five days a week, I was doing the fiddly kind of things with my hands and fingers. Prior to qualification as a dentist, I had used my hands and fingers to create often complex images (drawings, paintings, etchings, and copper engravings). I found that my urge to create images diminished rapidly after I began practising dentistry. I suppose that the clinical activities satisfied my need to employ my manual dexterity in other ways. Sadly, now that I am retired I have not (yet) gone back to creating images. Now my fingers are kept busy at the keyboard, creating books and blog articles.