The naked ceiling at Osterley Park

WHEN THE BANKER Sir Francis Child (1642-1713) acquired Osterley Park in the 18th century, its Elizabethan manor house was in a poor state of repair. His grandsons, Francis and Robert, employed the famous architect, Robert Adam (1728-1792) to give the house a major ‘makeover’ including adding a grandiose neo-classical front portico. And that is what he did on a grand scale. Adam was no ordinary architect. Not only did he plan buildings (and modifications to them), but he also designed their interiors: everything from ceilings and wall decorations to furniture and doorhandles. Osterley Park offers a magnificent display of his wide-ranging skills.

Long gallery at Osterley Park

The visitor to Osterley Park, now managed by the National Trust, usually gets to see a series of wonderful rooms on the ground floor of the house. All the rooms except one have beautifully decorated ceilings, all designed by Adam. Some of them have paintings created by Adam’s favourite painter, the Venetian Antonio Zucchi (1726-1795). Amongst my favourite ceilings are those in the Etruscan Dressing Room and the Drawing Room. The latter has a fantastic ceiling that was inspired by drawings in “The Ruins of Palmyra otherwise Tedmor in the Desert” by James Dawkin and Robert Wood (published in 1753).The ruins were those that were recently badly vandalised by the IS group. In each of the rooms, except the long gallery, the visitor’s attention is dominated by the eye-catching ceilings.

The ceiling of the long gallery is devoid of decoration. It was in this room that the Child family’s collection of fine paintings used to be displayed. The gallery’s ceiling was left plain, without decoration, deliberately, so that the viewer’s attention would be concentrated on the paintings.  Sadly, the paintings are no more. After WW2, the house’s owner, George Francis Child-Villiers, 9th Earl of Jersey (1910 -1998) gave the house and its grounds to the National Trust. He moved to Jersey, taking with him most of the paintings that had hung at Osterley. Unfortunately, many of these works were destroyed in a warehouse fire soon after he donated the house. The artworks in the gallery have since been replaced with other paintings and because the ceiling is naked, you can give them your full attention.

A cloistered pathway

A LABYRINTH DIFFERS from a maze in that the former contains a continuous path without the confusing branching and blind endings found in the latter. Often the pathways of a maze are lined by walls or hedges so that the person within them cannot have an overview of the layout of the maze. In the case of labyrinths, these are frequently absent and someone entering a labyrinth can easily observe the layout of its pathway. Labyrinths have been constructed since time immemorial, but the one laid out on the lawn in the cloisters of Norwich Cathedral was only constructed in 2002, to celebrate the Golden Jubilee of Queen Elizabeth II’s reign.

The cathedral’s website (www.cathedral.org.uk/visit/things-to-see-and-do/the-labyrinth) notes:

“The Labyrinth forms a continuous path and represents a spiritual journey. Although there are many twists and turns, and at times we may be uncertain where the path will take us next, we are never lost … a labyrinth affirms the gentle guiding hand of God, who even when we may feel lost or confused, is leading us ever onward … Quietly walking the labyrinth can be a way of seeking to resolve a problem, seek guidance, grieve a loss, release a fear or just to be with God. Labyrinths are familiar feature in all cultures. The seemingly simple act of following a pattern is a surprisingly profound means of soul-searching, engaging body, mind and soul.”

I like the sentiments expressed in this extract but wonder how effective this labyrinth is really in helping to resolve difficult personal problems. I suppose when navigating a labyrinth, one’s mind briefly concentrates on this task rather than continuing to mull over whatever is bothering it. This short distraction from one’s inner musings can be therapeutic just as is the case with doing sport or concentrating on a hobby or artistic activity or craftwork.