Forbidden radio station on a ship

FROM A FIELD on my friend’s farm in Essex, I could see the mid-morning sun glistening on the water of the estuary of the River Blackwater. Moored out on the water, there was a trawler with a red hull and white superstructure. A tall aerial mast, just about visible through the heat haze, was mounted on its deck in front of the bridge housing. When my friend saw me taking a photograph of the vessel, she mentioned what it is, and this caused distant memories to surface in my mind.

When I was a child in the early 1960s, I had a Phillips radio in my bedroom. I was a keen listener and enjoyed exploring the various stations broadcasting from all over the world. It was during this period and with this radio that, for example, I was able to tune into the propaganda-rich programmes transmitted from Albania by Radio Tirana. Less exotic than this was Radio Luxembourg, which unlike the few rather straightlaced, advert-free BBC stations, pumped out a stream of non-stop ‘pop’ music, punctuated by commercials for products, which were not aimed at audiences in little Luxembourg but instead at consumers in the UK. In those days, I was not much interested in pop music, but I enjoyed the commercials. The only one that I can remember was for a particular football pool company.

Radio Luxembourg was founded in 1933, long before I became one of its listeners. Located outside the UK, it was not subject to any of the legislation that ensured the BBC had a monopoly as a broadcaster in Britain.

In 1964, the Irish businessman Ronan O’Rahilly (1940-2020) and Alan Crawford came up with the idea of broadcasting to the UK from a ship moored in international waters. This way both the restrictive laws that protected the BBC, and the record company’s control of pop music broadcasting in the UK, were overcome. Radio Caroline was born and began broadcasting non-stop pop music from beyond Great Britain’s territorial waters. Caroline was soon followed by other radio stations, such as Radio London, which all made use of the same wheeze to get around the restrictive legislation in the UK. Radio Caroline has had a long and sometimes difficult history since its formation. This is described in great detail on the company’s website (www.radiocaroline.co.uk).

Our friend in Essex told me that what I was photographing is the boat from which Radio Caroline transmitted. I was surprised because, for no good reason, I had believed that Caroline was a thing of the past. The boat moored in the Blackwater is the Ross Revenge, formerly used as a fishing trawler. It was not the first boat to house Radio Caroline; it served this purpose between 1983 and 1991. A radio station bearing the name Caroline still functions. What is important about Radio Caroline and other so-called ‘pirate’ stations is that their existence had some considerable influence in causing the BBC to commence broadcasting pop music. Radio 1, which replaced the BBC’s Light Programme, was started in 1967 in response to the popularity of the pirate stations amongst the listening public.

I am glad that we were shown around our friend’s farm and that I spotted that boat in the estuary. Although I did not often listen to Radio Caroline, seeing the vessel made me recall my early radio receiver (‘wireless’) and the joy it gave me during my early teens.

In the shadow of the Hilton Hotel

BBC RADIO ONE began broadcasting on the 30th of September 1967. Before then, if you wanted to listen to popular music on the radio in the UK, you would have to tune your radio to pick up Radio Luxembourg, whose broadcasts from Luxembourg came over the airwaves loud and clear. Some of its presenters, for example Dave Cash, Noel Edmonds, and Kenny Everett, later hosted programmes on the new radio stations that began to broadcast after Radio One and various new commercial stations began transmitting. Unlike the BBC, Radio Luxembourg was commercial and broadcast advertisements relevant to British listeners. Several programmes were sponsored by two football pools companies, Littlewoods and Vernons. The station continued transmitting for UK audiences until December 1992.

I had not thought about Radio Luxembourg much until mid-September 2020 when we were walking along Hertford Street in a part of London’s Mayfair under the shadow of the tall Hilton Hotel on Park Lane. This short street runs east from Park Lane (just next to the Hilton) for about 630 feet and then makes a right angle turn and heads north through Shepherd Market and ends up at Curzon Street, which I have written about elsewhere (https://londonadam.travellerspoint.com/20/). Next to the front door of number 38 Hertford Street, a tall narrow house built in the 18th century (or not much later), a commemorative plaque informs:

“This was the HQ of Radio Luxembourg, Broadcasting from the Grand Duchy 1933-1991”

This building was not only the headquarters of the extra-territorial radio station but also contained recording studios where seemingly ‘live’ programmes could be recorded for broadcasting later from Luxembourg. Listeners were not informed where programmes had been recorded and were left with the impression that everything was being produced in the Grand Duchy.

Number 10 Hertford Street is just across the road from the former Radio Luxembourg HQ. This elegant terraced building, whose front entrance is flanked by two metal lampstands complete with inverted cones for extinguishing flaming torches, was home to two famous people, as recorded by plaques affixed to the house.  One of its former occupants was General John Burgoyne (1722-1792), who lived and died here and Richard Brinsley Sheridan (1751-1816), who lived here from 1795-1802. Prior to these celebrated occupants, the house was occupied by John Montagu, 4th  Earl of Sandwich (1718-1792), who was famous for his musical parties (www.british-history.ac.uk/old-new-london/vol4/pp345-359) and for giving his name to a popular food item.

General Burgoyne was, according to Wikipedia:

“… a British army officer, dramatist and politician who sat in the House of Commons from 1761 to 1792.”

His military achievements during the American War of Independence were dismal. His attempt to disrupt the American forces came to nought and ended with him surrendering his army of over 6000 men in October 1777 at Saratoga. His dramatic works were popular and included “The Maid of the Oaks” (1774) and “The Heiress” (1786). He assisted in the writing and production of “The Camp: A musical Entertainment” (1778), principally written by another occupant of Number 10 Hertford Street, Richard Sheridan. The General also worked on the libretti of several operas. Had he stuck to the stage, and kept away from the battlefield, Burgoyne might have been remembered as a dramatist rather than a failed military man. Politically, he began by supporting the Tories, but later switched to the Whigs. Near the end of his political career, he was involved in Parliament’s attempted impeachment of Warren Hastings at the end of the 18th century. Hastings, the first Governor General of Bengal had been accused of misconduct in Calcutta but was eventually acquitted.

Another occupant of number 10 was also involved in the theatre but to a greater extent than Burgoyne. Richard Sheridan, born in Dublin, was a playwright and poet as well as being the owner of the London Theatre Royal in Drury Lane.  He is best known for his still popular plays “School for Scandal” (1777) and “The Rivals” (1775).What I did not know until I began writing this was that Sheridan had been a Member of Parliament (a Whig supporter). In 1777 during a Parliamentary session, he had demanded the impeachment of Warren Hastings. His speech on the subject made on the 7th of February 1787 lasted five and three-quarters hours. His oration:

“… commanded the most profound attention and admiration of the House. His matchless oration united the most solid argument with the most persuasive eloquence. His sound reasoning giving additional  energy to truth, and his logical perspicuity, and unerring judgment, throwing a light upon, and pervading the obscurity, of the most involved and complicated subject.” (https://quod.lib.umich.edu/e/ecco/004858403.0001.000/1:3?rgn=div1;view=fulltext).

Clearly, Sheridan was eloquent both in life and creatively on the stage.

This home of playwrights was built between 1768 and 1770 by the builder Henry Holland the elder (1745-1806). On arrival at this address in 1769, Burgoyne commissioned his friend, the architect Robert Adam (1728-1792), to design and execute some of the interior decoration (http://collections.soane.org/SCHEME1106).  After the General’s death in 1792, Sheridan purchased it.

Moving on, we enter the short Down Street that leads south from Hertford Street to Piccadilly. Although the street slopes downwards to Piccadilly, I am not sure that this is the reason for its name. “The London Encyclopaedia” (edited by B Weinreb and C Hibbert) noted that it was was laid out in the 1720s by the bricklayer John Downes, who was involved in much building work in Westminster (www.british-history.ac.uk/survey-london/vols29-30/pt1/pp77-83). Maybe, that is the origin of its name.

Two buildings caught my attention on Down Street. Nearer Hertford Street, on the corner of Brick and Down Streets, stands a Victorian gothic church, Christ Church Mayfair. Constructed in 1865, this protestant church was designed by F & H Francis (they were brothers) and enlarged in 1868. After a fire in 1906, it was rebuilt considerably. It was closed when we passed it, but I have read that it contains some art nouveau features.

South of the church on the west side of Down Street, there is a terracotta coloured tiled façade that looks like a typical Underground station, which is what it was between 1907 and 1932, when it was closed. This now disused station was ‘Down Street’ station on the Piccadilly Line. It lies between Hyde Park Corner and Green Park Stations, no more than about 500 yards from each of them. It was closed because it was never busy enough to keep open. Most of the inhabitants around it were and still are wealthy enough not to need or use public transport. During WW2, it was used as a bunker by Winston Churchill and his staff before the Cabinet War Rooms were ready for use.

By retracing our steps, we can return to Shepherds Market for refreshment, be it a drink or something more substantial. After passing the former Radio Luxembourg HQ and entering the section of Hertford Street that runs towards Curzon Street, you will come face to face with a pub (currently closed) called ‘Shepherds Tavern’. This hostelry was first built in 1735 as part of the development of the area by the developer and architect Edward Shepherd (died 1747). Its customers are said to have included the actress Elizabeth Taylor and Antony Armstrong Jones, who was once married to Princess Margaret.  The actress Wendy Richard (1943-2009) lived in the pub from 1948 to 1953, when her parents were its publicans.

As you enjoy a pint of beer or a glass of sherry or maybe a cortado or a ‘latte’ in Shepherds Market, you can marvel at how much history is packed into two short streets overshadowed by the 331 foot high, 28 storey Hilton Hotel on Park Lane, which first opened in 1963. And fully refreshed, you can resume exploring Mayfair sure in the knowledge that you will be treading in the steps of many now famous people who have haunted the area since it was laid out in the early 18th century.